Tuesday, 18 February 2020

Doctor Who Review - Series 12 Episode 8 -The Haunting of Villa Diodati






Hello and Welcome to another Doctor Who on this blog, where today we are looking at the latest Doctor Who episode from series twelve and that is The Haunting of Villa Diodati. 

I missed the original transmission of this episode, which is the reason why this review is being uploaded on a Tuesday. Now, on Sunday evening before this episode was due to air, I saw a post on Instagram which said “tonight’s episode of Doctor Who stay off social media to avoid spoilers” that made me think that something big was going to happen in this episode and boy did it. 

Week eight and it’s the spooky one. Most years since Doctor Who’s return in 2005 we have seen an episode that delves gleefully into something supernatural. “Unquiet Dead” and “Hide” are good examples. 

Now, it the Thirteenth doctor’s turn to strap on a proton pack and throw a sonic around and go bust some ghosts. 👻 

The TARDIS gang are on a sight seeing trip to Villa Diodati because they want to spend the night with the Shelley's, Lord Byron, Claire Claremont, and Polodori and experience an hour of the night when 'Frankenstein' got written. The episode begins as if you are walking into an episode of Poldark. It does have that essence of costume drama to it. A strength of the BBC is that it does achieve and execute costume drama's very well. 

Lord Byron and his guests are having a party which the TARDIS crew gate crash but it is little of the knowledge to all the characters in the story that there is a different kind of energy emanating from within the house. It very quickly becomes apparent all the characters soon become trapped within this space. 

The more time they spend there, the more strange goings-on there are of ghosts and the house almost fighting against them start to cause them problems. The haunted house is the titular villa where famously Lord Byron and a number of his friends whiled away ‘The  Year Without a Summer’ writing and thus, Mary Shelley was inspired to create ‘Frankenstein’ 🧟‍♂️.  

Happily, this script I feel does manage to support a famously witty cast of guest characters. Byron is sleazy but not unlikable. Mary Shelley and the Valet were delightful, also, Graham’s top hat 🎩 👍🏻. 

This episode does serve the Doctor well and gives Jodie Whittaker the chance to be curious, commanding, exasperated, and eccentric throughout. For Maxine Alderton’s first Doctor Who script age seems to have a better handle on the Thirteenth Doctor than most. 

Costumes and set design for this were fantastic, a bit like with “Nikola Tesla’s Night of Terror” it seems like a missed opportunity that the Doctor doesn’t get a fabulous period costume to match her companions. But that’s only a minor personal preference. 

Each companion has something to do as each of them split up to investigate creepy going’s on although Byron’s guests may as well have been mobile scenery as we learn little about them and how much they actually have to do with the plot and moving the story forward. 

The highlight for me in this episode is The Lone Cyberman. Ashad. He was the star of the episode for me. And the opposing threat he presented in the episode was brilliant. Leaving a tricky scenario for the Doctor where she had no choice but to surrender. 

It’s just like “Dalek”. One soldier is just as dangerous and more effective than an entire army. We learn very little about how he came to be in his half formed state, but Ashad presents as an strong villain nonetheless, combining the intimidating physical bulk of a cyborg with the single mindedness of a desperate survivor. What's different about him as a Cyberman is he is half finished, he's not a fully converted Cyberman and most importantly he doesn't have the emotional inhibitor so he feels emotions, he reacts angrily, he isn't that closed off robotic personality in fact he has a personality which is rare, something which I feel could have been the downfall to this episode, particularly when Shelley confronts him of his past, but thankfully this wasn't the case.

For the other characters in the story, they're barricading the door, they're trying to think of a plan, they're trying to work out why it's here; and Graham, Ryan, and Yaz are also thinking this is what we've been warned about. This is what Jack said we can't do. 

The warning becomes very present, and there's a lot of clarity in that because up until this point Jack's warning was out of context seemingly and then now there is a reason for this warning.

But obviously for the doctor this is very personal from the many encounters that he / she has had with the Cybermen; but most recently the loss of Bill Potts. Like the Daleks, The Doctor encounter with Cybermen has resulted in loss to people that the Doctor loves. 

As well as that supposedly gives Mary Shelley the inspiration to write Frankenstein. 

It’s not a brilliant ghost story,  there are many ideas in the mix and too many shifts in tone and it may not be the best Cyberman story ever, but what this episode does have is snappy dialogue, a solid guest cast, a great villain, the hype of the series finale just around the corner, and a highly atmospheric soundtrack from composer Segun Akinola so, it’s a 9/10! 

That was a good one. ⭐️ 

Monday, 17 February 2020

COMING UP on The Sunday Showcase







Coming Up On The Sunday Showcase With Dan Bury

Episode:  2/24 
Broadcast Date: Sunday 23rd February 2020
Time: 2pm - 4pm 
Week 7: Monday 17th 2019 - Sunday 23rd February 2020
Published: Monday 17th February 2020

This week on the showcase, I'll be joined by Tom Dimblylow and Nate Finestone from Six Minute Musicals, coming on to talk about their latest productions, as well as playing a special musical edition of 'Play That Tune'. 

Get ready as the pacy and upbeat afternoon chat show continues. With Sunday Shoutouts after 3pm, Tips for Monday. And the start of a new feature 'What's going on in St Albans?' 

I'll also be playing some of the best music from the Radio Verulam Sunday Hits Playlist

I'll see you Sunday at 2pm. 

Tuesday, 11 February 2020

COMING UP on The Sunday Showcase - THIS SUNDAY







Coming Up On The Sunday Showcase With Dan Bury

Episode:  1/24 *NEW SERIES*
Broadcast Date: Sunday 16th February 2020
Time: 2pm - 4pm 
Week 6: Monday 10th 2019 - Sunday 16th February 2020
Published: Tuesday 11th February 2020

We're back in business. Dan Bury "Dandy Dan" is back on Radio Verulam for a new instalment of the Sunday Showcase. 

For two hours of a pacy and upbeat afternoon show, they'll be great guests, shoutouts after 3pm, Sunday Shoutouts, fun & games and some of the best music from the Radio Verulam Sunday Hits Playlist. 

This week I will be chatting to Suzy Moody about the St Alban's pancake race for Home Start St Albans and Father Richard Watson will be in to tell us about St Saviour's game night with a fish supper. On your marks, get set, go! 

Dan Bury hosts a vibrant Sunday mix of music, fun, chat in a flashy suit. See you at 2pm! 

Monday, 10 February 2020

The Sunday Showcase - BACK THIS SUNDAY!








We're back in business! Dan Bury "Dandy Dan" is back on Radio Verulam for a new instalment of The Sunday Showcase this weekend. 📻
Joining Dan in the studio will be Suzy Moody from Home Start St Albans, and Father Richard Watson from St Saviour's Church.
As well as that we'll be bringing you Sunday Shoutouts, Tips for Monday, and playing some of the best music 🎶 
Come and join for pacy and upbeat afternoon chat show on Radio Verulam 92.6FM or on listen again on the Radio Verulam website

Sunday, 9 February 2020

Doctor Who Review - Series 12 Episode 7 - Can You Hear Me?






Hello and welcome to another Doctor Who review, where today we are going to be taking a look at this week's episode written by Charlene James and Chris Chibnall which is called 'Can You Hear Me?' an episode which sets out to entice its audience with the threat of their own nightmares.

The concept of this episode sounded good from what it said in the synopsis, however, actually watching it there seemed to be a lack of tension throughout, there were no jumpy moments, nothing striking or bold about this episode to make it stand out.

My general opinion of Can You Hear Me having watched it is as a story it failed to get off the grounds with me. The pacing of it was quite slow, it lacked excitement and the worst part about it for me was that it was a bit dull.

I was sitting and watching it with this desire for something exciting to happen, but the moment never came, and there are still issues with exposition in the doctor being the character in the drivers seat having to explain what's going on to the companions i.e the viewer in order for us to understand what is going on.

There were character development pathways which didn't really go anywhere or didn't seem to make much sense.  In the scenes were we are exploring characters dreams, apart from Graham's where is the follow up to this? I just didn't get it, particularly Yaz's scene with the police woman, It didn't seem to make much sense to me from my point of view as the viewer watching it.

Putting my feelings of horsham aside, I will mention the things I did like about the episode, because I don't watch Doctor Who to pick out faults and criticise it. I go into an episode of Doctor Who wanting to love everything about it and everyone in it.

I enjoyed the moments that allowed each TARDIS crew member to go off and do their own thing, in the scenes where the Doctor arrives in Syria and she's talking like her companions are with her and they're not and she realises she's talking to herself are really nice comedy moments.

Ian Geldar was good in the role of Zellin. He portrays an unapologetic, moustache twitching villain reminiscent to a villain of the Tom Baker era. He's certainly quick to name drop some classic villains from the classic series such as the Celestial Toymaker and The Black Guardian. I thought the fingers detaching from his hand was quite creepy and worked very effectively.

All in all, I just think there is nothing much exciting or dramatic about this episode to make it stand up well as being a tenable competitor with the rest of the series, probably the weakest one so far.

The ending felt rushed yet again, the whole thing felt rushed in telling what basically was a fairly straightforward story. Slow and just unforgivably dull. 6/10.

Monday, 3 February 2020

Doctor Who Review - Series 12 Episode 6 - Praxeus






Hello and welcome to another Doctor Who review were after an exciting episode last week, despite the controversy by the plot twist at the end it seems we go into this week's episode believing everything is back to normal.

I know there is a lot of divided opinion on this story, some people like it where as others hated it. Even though I agree with some of the things that are being said on both sides, Praxeus particularly amazing story by any stretch of the imagination. But it is a lot better if you think some Matt Smith or Peter Capaldi episodes. 

Having read the synopsis in advance for Praxeus and that isn't something I do very much off is read the synopsis of Doctor Who episodes because I don't really want to know much about the episode before I watch it, I like to go in feeling refreshed. Having read the synopsis in advance for Praxeus it all sounded quite intriguing, almost reminiscent to that of a script by Terry Nation. 

Actually watching it, it sets off on a very good pace and the episode did get off to a very good start for me. I appreciated the hold off from seeing the Doctor, Graham, Ryan, and Yaz straight away and quite enjoyed how they came into the story, a bit like in Nikola Tesla's Night of Terror. 

To see Jodie Whittaker's doctor running across a beach in desperation was a great way to introduce the Doctor into the episode as we see the Doctor getting straight into the action, which makes a change from the usual thing of they arrive, things start to go wrong and then they start acting on what to do.

There were great elements of mystery to this which I loved, and the travel between locations, we basically go around the world in this story visiting multiple destinations which are all very well linked together and their significance to the plot. 

What I liked about this one was the simple fact that there is no main villain, enemy, or monster in this. The TARDIS crew plus a few are working together to help fight an alien infection from destroying the earth, and as the mystery elements begin to unravel throughout the sense of desperation grows as the viewer realises they've only got a limited amount of time, this became apparent towards the end of the episode.

Splitting the companions up is usually a great way to help their characters develop. Yaz gets her moment to shine and actually do some proper investigating of her own into what Praxeus is, to the extent where she believes she found an alien world all on her own only to be let down in the realisation that she has actually found a ship at the bottom of the Indian ocean. The look on her face suggested she was let down and annoyed. 
Graham has very little to do in this episode, however, he does have a nice moment where he gives Jake a pep talk on the beech, and it's moments like this that take me back to memories of Donna and Wilf. Bradley Walsh shows with characters like Graham, older people have their place on the TARDIS team too.
I didn't feel anything new or exciting from the Doctor in this. It's not Jodie Whittaker's finest moment. 
If there is such a thing as a template for an episode of Doctor Who from the Chris Chibnall era, we're seeing it in full this week. We have varied location shoots, the threat of a worldwide conspiracy, great production values and some excellent character moments - but there's also some really thankless exposition from the Doctor, especially near the end of the episode. Praxeus may span the planet, but the idea at the heart of this week's story isn't quite big enough support the ambitious mystery it's trying to weave, leaving us with an episode that's decent but far from amazing. Which is why I will give it a 7/10.
Thank you very much for taking the time to read this review, and I will see you again next time for another Doctor Who review. 

BAFTA 2020: The Worst BAFTA's I have ever seen so far!



THE WORST BAFTA's I Have Seen So Far!

Hello everyone, and welcome back to this blog. 

I was watching the BAFTA's last night and normally I enjoy the BAFTA's, I think it's a lot of fun watching stars of film and television getting dolled up on the red carpet, and sitting in a fancy venue like the Royal Albert Hall to give out awards to celebrate the achievements of the film and tv industry. 

I normally enjoy watching the BAFTA's but this year felt a bit different. Here was my problem with the BAFTA's 2020, it was vulgar, embarrassing, offensive, and frankly grubby. 

Stars making long speeches and dragging out the whole night, if they kept they're speeches down to the ninety seconds they are supposed to, they could rap this up in an hour and a half and be in the bar by half ten. 

It also struck me of the lack of verity there were in the winners in the categories. We had lots of talented directors and actors in these categories who have all could have made worthy winners but instead we have to watch 1917 and Parasite hog all the spotlight and bag most of the awards. 

The worst part was when Rebel Wilson got up to present the award for Best Director. I've never really been a fan of Rebel Wilson, it's true I've seen some of her work and have smirked at some of her jokes but to me, she crossed a line at the BAFTA's. 

Her speech was embarrassing, crude, and frankly inappropriate. Saying how she's looking to win best score at the after party, as well as commenting how no one would be receiving a gift bag this year, instead they'll be given a gifting wallet she compared the gifting wallet to her own vagina. To make comments like comparing a gifting wallet to your vagina at the BAFTA's with the duke and duchess of Cambridge in the audience, is frankly disgusting. The most tragic thing about all of Wilson's speech is that it's not funny. There's no irony in what she's saying, I don't feel most of the stars sitting in the audience were laughing with her, they were probably laughing out of embarrassment. 

There also interval breaks in-between including a tribute to Judy Garland with a performance from cirque du soleil which had nothing to do with anything. It just felt really dragged out and over extended when you could wrap up the whole thing in an hour and a half. Two hours is what we see on television, and that's not including the awards they cut out. The whole thing probably lasts longer, it must be very boring having to sit there and watch everyone win a BAFTA apart from you.

I've never seen such a shambolic, awful display at the BAFTA's ever, it was a dreadful display. 

I won't go on about all the doom and gloom, I will balance it out by telling you the few things which I liked about the BAFTAs. I liked Andy Serkis picking up a special award for special achievement, Renee Zelwinger whose adorable picking up the best actress award, the tributes to all we have lost in the past year was done well as it always is. 

This year at the BAFTA's was probably the worst experience I've had watching one of the most anticipated award ceremonies of the year.